”Here we’re writing from Shelly’s POV, so when we write about Paula and Jennifer’s emotions we find other ways to communicate them by providin... Shelley’s perspective. An advantage of sticking to this rule is it makes pronouns a little bit stickier. Without another clue, the reader will tend to assume she/he/they pronouns refer to the current POV character. This doesn’t always work though. Consider:“Shelly was mortified. The look on Paula’s face was one of abject horror, while Jennifer seemed. Then she released him. ?Manny, if you don’t touch yourself between now and midnight tonight, I’ll have a surprise for you.?Manfred went home and sat on his hands until midnight, and then went down to Apartment 402. Sage let him in. She was wearing a tight leather minidress with quite a plunging neckline, and bright red lipstick, her hair tied back in a bun.?You didn’t touch yourself did you honey?? Sage asked throatily, and Manny shook his head no. His dick was engorged now, especially since. More

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